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    <loc>http://www.poppalaeo.com/blogposts/2019/6/19/mark-witton-depicting-prehistoric-animals-as-monsters-how-why-and-so-what</loc>
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    <lastmod>2019-06-20</lastmod>
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      <image:title>Blogposts - Mark Witton, Depicting prehistoric animals as monsters: how, why, and so what?</image:title>
      <image:caption>The decision to restore prehistoric animals as monsters is artistic, not scientific. It is entirely possible, and probably more scientifically credible, to restore ancient animals in naturalistic ways even when they are engaged in potentially violent acts, like predation. Here, Velociraptor mongoliensis chases down Zalambdalestes lechei. The choice to show this famous movie villain pursuing small prey is at odds with our cinematic experiences, but is also far more consistent with the behaviour of living predators.</image:caption>
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      <image:title>Blogposts - Mark Witton, Depicting prehistoric animals as monsters: how, why, and so what?</image:title>
      <image:caption>The results of Google image search for ‘dinosaur book’ or ‘dinosaur DVD’: dozens and dozens of prehistoric animals (mostly theropods) that want to eat our faces.</image:caption>
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    <loc>http://www.poppalaeo.com/blogposts/2019/4/5/richard-fallon-aesops-triceratops</loc>
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    <lastmod>2019-04-05</lastmod>
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      <image:title>Blogposts - Richard Fallon, Aesop's Triceratops</image:title>
      <image:caption>Figure 2. Triceratops in E. Ray Lankester’s children’s book, Extinct Animals (1905). Lankester, formerly Director of the London Natural History Museum, described the ‘incredibly small’ brain of this dinosaur compared to the size of its head, observing that ‘[v]ery probably this small size of the brain of great extinct animals has to do with the fact of their ceasing to exist.’ E. Ray Lankester, Extinct Animals (London: Constable, 1905), pp. 207, 209.</image:caption>
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      <image:title>Blogposts - Richard Fallon, Aesop's Triceratops</image:title>
      <image:caption>Figure 1. Here, famed cartoonist Winsor McCay depicts the ‘Dinosaur’ alongside other outdated animals, objects, and institutions supposedly swept away by the progress of ‘Time’, including ‘The Rack’ and ‘Slavery’. Winsor McCay, ‘Oblivion’s Cave—Step Right In, Please’, Sunday American, 19 March 1922.</image:caption>
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    <loc>http://www.poppalaeo.com/blogposts/2019/3/19/a-riotous-tangle-of-living-vegetation-brontosaurus-and-the-forests</loc>
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    <lastmod>2019-04-02</lastmod>
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    <loc>http://www.poppalaeo.com/blogposts/2019/2/25/elsa-panciroli-popularising-palaeontology-workshop-2018</loc>
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    <loc>http://www.poppalaeo.com/blogposts/2018/11/29/vjf90q9pjy0869cfenxfd6tzj233fe</loc>
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    <lastmod>2018-11-30</lastmod>
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      <image:title>Blogposts - Melanie Keene, There's Something About Mary</image:title>
      <image:caption>Screenshot from Google Images search for Mary Anning.</image:caption>
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  <url>
    <loc>http://www.poppalaeo.com/blogposts/2018/9/20/paige-madison-sparking-interest-about-the-past</loc>
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    <lastmod>2018-09-20</lastmod>
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  <url>
    <loc>http://www.poppalaeo.com/blogposts/2018/8/31/mark-carnall-what-can-we-expect-the-public-to-know-about-palaeontology</loc>
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    <lastmod>2018-08-31</lastmod>
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      <image:title>Blogposts - Mark Carnall, What can we expect the public to know about Palaeontology?</image:title>
      <image:caption>Plotting the financial and intellectual accessibility of palaeontological outputs.</image:caption>
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  <url>
    <loc>http://www.poppalaeo.com/blogposts/2018/8/24/richard-fallon-alices-adventures-in-the-age-of-reptiles</loc>
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    <lastmod>2018-08-24</lastmod>
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      <image:title>Blogposts - RICHARD FALLON, ALICE’S ADVENTURES IN THE AGE OF REPTILES</image:title>
      <image:caption>Figure 2 : John Tenniel’s famous depiction of the Jabberwock in Lewis Carroll’s Through the Looking-Glass (1871).</image:caption>
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      <image:title>Blogposts - RICHARD FALLON, ALICE’S ADVENTURES IN THE AGE OF REPTILES</image:title>
      <image:caption>Figure 1 : J. A. Shepherd’s representation of the ‘Dinosaur Party’ in E. D. Cuming’s Wonders in Monsterland (1901).</image:caption>
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    <loc>http://www.poppalaeo.com/blogposts/2017/10/16/announcing-popularizing-palaeontology-workshop-ii-wednesday-13-december-thursday-14-december</loc>
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    <lastmod>2017-10-16</lastmod>
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    <loc>http://www.poppalaeo.com/blogposts/2017/3/17/will-tattersdill</loc>
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    <lastmod>2017-03-17</lastmod>
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    <loc>http://www.poppalaeo.com/blogposts/2017/3/7/marco-tamborini-like-anything-that-does-not-bring-in-any-money-there-seems-not-to-be-the-slightest-interest-in-natural-history-in-prussia-fundraising-for-tendaguru</loc>
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      <image:title>Blogposts - Marco Tamborini, ‘Like anything that does not bring in any money, there seems not to be the slightest interest in natural history in Prussia:’ Fundraising for Tendaguru</image:title>
      <image:caption>Figure 1: Overview of the Tendaguru donations. In Carl Wilhelm Franz von Branca, “Allgemeines über die Tendaguru-Expedition,” Archiv für Biontologie 3 (1914): 3–13.</image:caption>
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      <image:title>Blogposts - Marco Tamborini, ‘Like anything that does not bring in any money, there seems not to be the slightest interest in natural history in Prussia:’ Fundraising for Tendaguru</image:title>
      <image:caption>Figure 2: Exhibition Hall of the Museum für Naturkunde Berlin with the skeleton of the Brachiosaurus brancai standing in the middle © Carola Radke.</image:caption>
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    <loc>http://www.poppalaeo.com/blogposts/2017/2/21/ilja-nieuwland-palaeontology-cowboy-science</loc>
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    <lastmod>2017-02-22</lastmod>
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      <image:title>Blogposts - Ilja Nieuwland, Palaeontology - Cowboy Science?</image:title>
      <image:caption>Figure 1: Presentation of the Tyrannosaurus specimen RGM 792.000 in the 2016-2017 exposition "T. rex in town" of the Naturalis Biodiversity Center, Leiden, the Netherlands. By Rique (Own work) [CC BY-SA 4.0 (http://creativecommons.org/licenses/by-sa/4.0)], via Wikimedia Commons ( https://commons.wikimedia.org/wiki/File%3ATrix_-_frontal_view.jpg )</image:caption>
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    <loc>http://www.poppalaeo.com/blogposts/2017/2/21/darren-naish-palaeoart-memes-and-the-unspoken-status-quo-in-palaeontological-popularization</loc>
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    <lastmod>2017-02-21</lastmod>
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    <loc>http://www.poppalaeo.com/blogposts/2017/1/10/mark-carnall-the-other-97</loc>
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    <lastmod>2017-01-10</lastmod>
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      <image:title>Blogposts - Mark Carnall, The Other 97%</image:title>
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      <image:title>Blogposts - Mark Carnall, The Other 97%</image:title>
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      <image:title>Blogposts - Richard Fallon, Popularisation and Palaeoart: Then and Now</image:title>
      <image:caption>Figure 1: Scelidosaurus harrisoni by Joseph Smit, from Extinct Monsters (1892)</image:caption>
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    <lastmod>2016-12-27</lastmod>
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      <image:title>Blogposts - Elsa Panciroli, Cutting Out the Talking Platypus</image:title>
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      <image:title>Blogposts - Elsa Panciroli, Cutting Out the Talking Platypus</image:title>
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      <image:title>Blogposts - Elsa Panciroli, Cutting Out the Talking Platypus</image:title>
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